Search matches the normalized key as well as the title, so pasting a filename finds the record even when it went in under a different spelling.

Tempo is the measured BPM, rounded to a whole number. “holdout” marks a record deliberately kept out of its label’s profile; “mert” marks one that carries a MERT embedding.

A code no longer opens anything by itself. It is an invitation: the holder signs into (or makes) a nine71 account on Foundry and redeems the code there, which files them as an admin of the organization it names. Every dashboard is opened by an account — there are no user‑less sessions to hand around.

Revoking an invite code stops it being redeemed again. Revoking a member’s own grant row (the org · admin rows minted by redemption) closes their session within a minute: the gate re-reads this table on every request and caches the answer for 60 seconds.

“Last used” is the last request the gate saw on that grant; a code that was never redeemed reads “never used”.

One organization asking to look after another’s workspace — a parent company over its labels, a management team over an artist. We decide the label ones. A request to manage somebody’s personal account is theirs to answer, and shows here only so the conversation is visible.

Approving here mints no code. The manager organization’s members already hold grants; approval widens what those open, so nothing new appears in the code table above and there is nothing extra to revoke.

Companies asking for their own side of nine71 — labels, agencies, management. Their inbox exists and is CLOSED from the moment they file; approving lets the person in, and opening the inbox to demos stays a separate, deliberate switch.

Approving mints the organization grant whose sessions open every workspace under the organization; it shows in the code table as org · role. Revoke stamps both halves.

Label — you have a workspace: an inbox demos arrive in and a catalogue your sound is measured from. Only a label is ranked against a track.

Parent company — you hold labels. Your rooms are theirs, and the organization screens aggregate across them.

Management — you look after artists rather than releases. The inbox and the rails are the same; the catalogue is not the point.

An artist who wants you in their corner issues a management code on Foundry and sends it to you. Entering it here files your request — they approve or decline it on their account, and approval opens their inbox in this console.

Without a code the request is refused: an organization cannot knock uninvited, which is why there is no artist picker here. Whoever gave you the code told you the name.

Every label in one queue, so you can see where each demo belongs. To listen or decide, open that label from Workspace in the sidebar — its inbox is where triage happens.

Match is organization-only: how each demo scores against every one of your labels, with the label it was sent to outlined. The receiving label never sees this comparison.

How it arrived is one of three: sent straight to the label without running a match, tested on the label and then sent, or came up in the producer’s top matches. A demo sent straight is scored after the fact and may be low; nobody filtered it.

Match is how the track scores against each label's own catalogue — a percentile inside that label's spread, banded on cuts fitted across the whole corpus (high / middle / low). The label a track was sent to is outlined. A label with fewer than eight tracks reads “not calibrated” rather than a band.

An upload marked “all labels” was sent to the group as a whole: every label finds it in its own Uploads with its own score; nobody sees a sibling's.

Nothing here joins the catalogue. An upload is measured against a label's sound and never becomes part of it.

Held while you were paused — these arrive properly when you reopen. Listening from here is fine; nothing is delivered or triaged until the door opens.

Waiting is how long each send has been held. Reopening the inbox is the one act that delivers, and it delivers everything that waited.

The archive goes straight to our storage from your browser; it does not pass through the page. Our rig unpacks it, keeps every audio file, skips records already in your catalog, and measures each one. Duplicates are caught on a normalized key, so SGR100_-_Reelow_-_Conga-Ratulations and Reelow – Conga-Ratulations (Extended Mix) count as the same record.

Your sound profile is rebuilt after that, on our side. Scores do not move until it is. The audio is kept, which is what makes a better measurement a re-run rather than a re-upload.

A record counts toward your profile only if it carries a fingerprint and is not held out. “in profile”, “held out” and “no fingerprint” on a row say which of those is true of it.

Tempo is the measured BPM, rounded to a whole number; a dash means it has not been measured yet. Search matches the filename as well as the title and artist.